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our idea of love is a dog’s lust,” says Chandru, his face twisting with rage. “Don’t equate it with my pure devotion for Kiran.” The rest of his words are lost in the whistles and catcalls of the young, largely male audience; the few girls watching wipe their eyes surreptitiously. “The audience for this movie is mostly teenage, and the male-female ratio is 75:25,” said the manager of the Bangalore-based theatre where we had gone to see the Kannada blockbuster, Preethse. Preethse is actual.
